Teaching-
Art and Science
Prepared
by- Vinod Varghese A.
“If teaching is something you
naturally know how to do, then it can't really be taught. But the
ability to teach competently isn't something people organically acquire.”- Elizabeth Green
I
believe that education is a science. In order to be an educator, and a
good educator, you need to know the formula for education. It takes knowledge
of curriculum, behavior, philosophy, psychology and other areas to successfully
become an educator. A scientist working in a lab (inside or outside) needs to
consistently factor several variables and constants when doing experiments, to
successfully reach the desired outcomes. In education, we call these
outcomes “learning.” We want our students to learn. We want our students
to grow up and become active members of a society we hope to one day
have. This is why we have meetings to discuss curriculum, common code,
standards, much more. We meet with other educational scientists and
debate the methods being used in school districts far and wide to judge our
students against those throughout the world. When we see that our
students are not meeting the same rigors that other students are meeting, we up
the experiment by providing standardized testing. Some schools get the
testing, and some schools don’t. This is called the “Scientific Method”.
To the degree that teaching is a creative act, it
might be said to be an artistic enterprise. It is also true that painters
or sculptors choose their tools and materials with intention, just as a teacher
might decide upon a range of methods in the classroom. Our best artists
and teachers also pose powerful questions, many of which do not have easy
answers (or, for that matter, any answers at all). This is where the comparison
runs out of steam, though. In the end, an artist acts upon a canvas or a
mound of clay to create something masterful. The materials themselves
have no agency; you'd never see a bit of orange paint offer the artist some
feedback. This, of course, is very different from our students, each of
whom must use what she or he learns in our courses to fashion a life outside of
the university. To envision teaching as an art, then, is to see it as a
one-way transaction with the instructor as a kind of Pygmalion figure charged
with shaping the countless Galateas sitting in our classrooms. This is
hardly the case.
This artistic argument has also led to one of the most
problematic misconceptions about teaching: if teaching is an art, then
aren't our best teachers simply born to stand in front of the classroom in the
same way that those who are talented in other pursuits come by their skills
naturally? The answer to this is a resounding "No," and it
should be said that many artists balk at the idea that their success has more
to do with natural gifts than with hard work. In particular, the notion
that good teaching is innate can sometimes be demoralizing (“I’m just not good
enough, and I never will be"), or it can serve as a convenient excuse not
to improve (“I’m just not gifted in that way, so why bother”). We can’t
deny that some people are inherently more gifted at public speaking than
others, but it is simply not true that people are born to be excellent
teachers, and the perpetuation of this myth ultimately does higher education
more harm than good.
Because outstanding teaching is primarily about
creating the conditions in which our students can learn most effectively, being
an excellent teacher does not hinge on genetic predisposition, but—instead—on a
solid understanding of how human beings learn (particularly, but not
exclusively, in connection with a given discipline) and on having a genuine
empathy for students. Also, a lot of hard work.
It is fairly easy to see the applicability of the
scientific method to teaching. Our greatest teachers observe their
students and create rudimentary hypotheses about the best ways to ensure their
students are learning. They then test these hypotheses via activities,
assignments, and other kinds of assessments, and evaluate the results.
However, this view of teaching is sometimes criticized
for being impersonal. After all, our students are not experimental
subjects. They bring with them into our classrooms their hopes, fears,
joys, and sorrows. They have the potential to surprise us, to create new
knowledge, to develop insights that move our disciplines forward. Science
can certainly be surprising, but the scientific comparison takes away some of
the human interaction that makes teaching such an amazing, exhilarating profession
to begin with.
In truth, teaching is probably a little bit of art and
a little bit of science when it is done well, but what if we shifted the nature
of the discussion altogether?
The biggest problem with both of these comparisons is
that they focus primarily on what is happening at the front of the
classroom. The emphasis in the art/science divide is placed on the
teacher, rather than the students. The most effective teaching is that
which helps students learn to the greatest extent possible.
So how might we change the art vs. science question to
reflect this positioning of learning? Though we'll have to sacrifice the
nicely compact nature of the original, a new version of this question might ask
whether achieving a deep understanding of how our students learn (both in
general and about our fields) is more of an art or a science.
The sorts of collaborations with students that might
reveal this knowledge could certainly be called creative and even
artistic. I also think there is something of an art to being attuned to
students' individual approaches to learning (or their Zones of Proximal Development) and adjusting our strategies and techniques
accordingly in order to ensure we are helping as many students as possible.
Learning has its basis in the neurobiological
mechanisms of the body, where science has much to teach us about
learning. Learning is also rooted in the social world as well, so the
fields of sociology and psychology provide further opportunities for
understanding. If we embrace the science of learning, it becomes much
easier to see teaching as something that every instructor can do well.
Scientific principles of learning, which are firmly grounded in research, can
help to establish a solid foundation on which we may all build effective, even
exemplary, courses.
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