Spider-Man: Across the Spider-Verse - A Visually Stunning Journey with Storytelling Hiccups
Assessing Across the Spider-Verse proves to be quite challenging as it essentially serves as only half a movie. Its structure and status as part of a two-part story inherently leave the final verdict dependent on its upcoming sequel, slated for release next March.
In the meantime, let's delve into Across the Spider-Verse on its own terms as best we can. The film commences by delving into the tragic backstory of Gwen Stacey's Spider-Woman (Hailee Steinfeld), where her encounter with the Lizard results in the demise of her universe's Peter Parker. Gwen's universe boasts a captivating, surrealistic art style that is astonishingly captivating, perfectly synchronized to an enthralling song. It wouldn't be an overstatement to say that this is one of the most captivating opening sequences in the realm of superhero movies.
Gwen's visually striking universe momentarily overshadows the subsequent introduction of Miles Morales (Shameik Moore), which feels comparatively ordinary. However, the narrative quickly takes a turn towards the bizarre when a mysterious entity known as The Spot (Jason Schwartzman) makes an appearance. The Spot, a blank individual adorned with dimensional portals, has a connection to Miles and embarks on a mission to wreak havoc on the multiverse.
The Spot traverses the multiverse in search of a world where the colossal multiverse collider from the first film remains intact. The Spider Society, comprising Gwen and nearly every other Spider-Being alongside Miles, intervenes to confront this impending threat. Despite the others' reluctance, Miles finds himself journeying through the spider-verse in pursuit of adventure.
As the story progresses, Miles plunges further into the depths of the multiverse, embarking on a self-discovery odyssey. Joined by Gwen, Spider-Punk (Daniel Kaluuya), Spider-Woman Jessica Drew (Issa Rae), and Spider-Man Pavitr Prabhakar (Karan Soni), Miles engages in a thrilling team-up against The Spot in Mumbai. Following a spectacular sequence in Mumbai, Across the Spider-Verse shifts its focus away from The Spot, redirecting attention towards Miles' interactions with his fellow Spider counterparts as he grapples with his sense of belonging.
On paper, this narrative shift isn't inherently flawed. The film's most captivating moments occur when characters engage in heartfelt conversations amidst the backdrop of trippy animation, rather than during the grand action set-pieces and battles against villains. However, the issue lies in the fact that the first half of the movie introduces a compelling villain with a significant personal connection to Miles, only to sideline that character for the majority of the latter half.
Prepare for a wild ride with Across the Spider-Verse as it bursts onto the screen, captivating audiences with its exhilarating energy... until it hits a snag towards the last 15 minutes. Up until that point, the film fires on all cylinders, delivering powerful moments that resonate deeply. However, as the climax approaches, the narrative takes a rushed and jumbled turn, losing the coherence that was so vital. While Across the Spider-Verse never stoops to being subpar, it sadly unravels in its final moments, falling short of its potential as an all-time classic.
The cliffhanger ending, while certainly intriguing, lacks the finesse seen in other films like Avengers: Infinity War. That epic tale weaved the story of Thanos and his quest for the Infinity Stones, providing a satisfying and complete narrative while teasing the next chapter. In contrast, Across the Spider-Verse feels like a movie that was sliced in half due to excessive length. The cliffhanger arrives abruptly, right when the story reaches its peak, leaving viewers with a frustrating "to be continued" sensation. It's a film that lacks a definitive climax.
It pains me to dwell on the ending when the rest of the movie is a true delight. We're talking about a cinematic experience that is undeniably beautiful and oozing with vibrant energy. It effortlessly evokes laughter and evokes genuine tears. It introduces us to remarkable characters like Daniel Kaluuya's Spider-Punk, a scene-stealer with his magazine-worthy charisma. Unfortunately, his screen time feels limited, leaving us yearning for more of his hilarious antics.
While Across the Spider-Verse is not a non-stop comedy fest, it manages to land almost every joke it attempts, thanks to the genius writing duo Phil Lord and Chris Miller (known for their work on The Lego Movie and Jump Street series). Their comedic brilliance shines through, especially when breaking the fourth wall, a technique that is skillfully employed throughout the film.
And let's not forget to mention the sheer magnificence of the movie's visuals. Yes, I've mentioned it before, but it's worth reiterating: Across the Spider-Verse is an unparalleled visual feast that surpasses anything previously witnessed on the silver screen. Its mesmerizing aesthetics are truly transcendent. Perhaps, in the grand scheme of things, it is this visual splendor that will leave the most lasting impression.
While the flaws in the finale are undeniable, Across the Spider-Verse remains an enthralling journey. Its stunning visuals, well-crafted humor, and emotional depth create an unforgettable cinematic experience. Ultimately, the verdict on this film may rest on its sequel, but for now, it stands as a mesmerizing piece of art that showcases the boundless possibilities of animation.
It pains me to dwell on the ending when the rest of the movie is a true delight. We're talking about a cinematic experience that is undeniably beautiful and oozing with vibrant energy. It effortlessly evokes laughter and evokes genuine tears. It introduces us to remarkable characters like Daniel Kaluuya's Spider-Punk, a scene-stealer with his magazine-worthy charisma. Unfortunately, his screen time feels limited, leaving us yearning for more of his hilarious antics.
While Across the Spider-Verse is not a non-stop comedy fest, it manages to land almost every joke it attempts, thanks to the genius writing duo Phil Lord and Chris Miller (known for their work on The Lego Movie and Jump Street series). Their comedic brilliance shines through, especially when breaking the fourth wall, a technique that is skillfully employed throughout the film.
And let's not forget to mention the sheer magnificence of the movie's visuals. Yes, I've mentioned it before, but it's worth reiterating: Across the Spider-Verse is an unparalleled visual feast that surpasses anything previously witnessed on the silver screen. Its mesmerizing aesthetics are truly transcendent. Perhaps, in the grand scheme of things, it is this visual splendor that will leave the most lasting impression.
While the flaws in the finale are undeniable, Across the Spider-Verse remains an enthralling journey. Its stunning visuals, well-crafted humor, and emotional depth create an unforgettable cinematic experience. Ultimately, the verdict on this film may rest on its sequel, but for now, it stands as a mesmerizing piece of art that showcases the boundless possibilities of animation.
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